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Instead, Kwan crafts a fugue of meta layers, freely cutting from his luxurious historical reenactments to weathered footage from Ruan’s actual ’30s films, recreations of lost films’ imagery (shades of Guy Maddin’s Seances project decades later), behind-the-scenes production meeting chats with Cheung and the rest of the cast and crew (some of which seem rehearsed), doc interviews with ...

Subject Matter

  • Arts and entertainment 100.00%
    • Music, film and television 62.30%
    • Arts, entertainment or history 37.70%

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