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George Cruikshank, Seizing the Italian Relics, 1815.
As a song written for the occasion put it, “Rome is no more in Rome, it is all in Paris.” A highly partial reading of history was summoned to justify French acquisitions, adds Curzi: “As a free nation liberated from the tyranny of monarchy, France saw itself as entitled to the masterpieces of Antiquity and the Renaissance, which supposedly were ...
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