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Christina and Michelle Naughton Aram Boghosian.
On the memorably warm autumn day of October 8th, the Boston Symphony Orchestra fittingly offered a program easily characterized as “life-affirming.” Music Director Andris Nelsons selected two works of Richard Strauss’s early maturity for the first half: the masterful Tongedicht (tone poem) Tod und Verklärung (Death and Transfiguration) from 1889, and the love scene from Strauss’s second opera (...

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  • Arts and entertainment 100.00%
    • Music, film and television 100.00%

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